Sunday, April 14, 2013

It Came Upon A Midnight Clear




First there was the fine, cool, breezy evening. A walk around a lovely neighbourhood with children playing and people walking around, saying hi to each other. There were smiles and laughter, as well as long gazes and busy kitchens. A lazy day in paradise, almost. Except that paradise was lost, and a migrant worker was to be taken home, not with money or riches, but with fourth degree cancer that had crept into almost all of her body, so much so that she could not sit up or lie down on her back.
 
From paradise, the following dive into reality showed the difficulties of life beyond the rose-coloured view a few hours before. A revelation of how life in the man-eat-man world would be like, with people passing off poison as fresh seafood, and everyone desperately scrounging for a piece of the marketplace until there are no buyers, only sellers.

Then there was the wait. And more waiting. The waiting which would not finish so quickly, as an evening of waiting turned into a night of quiet pensiveness. An assortment of characters played into the spotlight, including a family with young child, an impatient driver and the car's owner, as well as a mirror. The migrant worker, her aunt, a nurse, and an ambulance complete with driver and morphine completes the picture, though thankfully the morphine was never used.

A wild goose chase ensued through the streets and highways out of Jakarta and into the bright night, always filled with engines, lights, and bodies going from here to there and there on. Along the way, beggars were mistaken for gangsters, and guides for policemen, as being lost was the norm, and everywhere was just nearby to the mosque, including our destination.
Finally, along a straight road seemingly leading to the sea and the dark beyond, we turn left unto a sand bricked road at the sign for an Islamic boarding school. Strangely, what followed was a sign of disparity between those lucky and those not so, as gleaming houses with transplanted flowers and shrubs stood out among plain houses with sand gardens, and cheap bamboo replacing wood where necessary.

It was a cool night, a clear, bright night where a young mother returned to her mother's house, and was greeted by her 70 year old grandmother, along with her brothers and sisters, as well as her relatives and neighbours. It was close to midnight, and her mother and aunt, who could not read or write, expressed their thanks and hopes that the migrant worker would get healthier.

Around midnight, the family and villages were left to enjoy the rest of an evening in paradise broken by the sound of vehicles and the arrival of one of their own. What remains of their days ahead, will be accompanied by a former migrant worker, who has now seen exactly what paradise was lost for this fellow migrant worker, and who perhaps could help ease the days ahead to a slightly less but altogether uneasy end.

On the mirror was etched a picture of a “pieta” unlike that of the original sculpture. A picture where there was hope, there were friends and relatives around, there was not death but life. A picture like paradise, except like paradise there, it too was already lost, lost in translation, lost in the wake of riches going elsewhere, lost at the fringes of the land and society to the uncertain sea and the gathering dark.

It came upon a midnight clear, that what was seen was altogether too often seen, and perhaps where people talk about righteousness and laws and rights, it might be better to feel for one's heart, be kind, and be good instead. The better option might seem to be so to the learned and the ideal, but is it so for those who have to scrounge for money from the blood and dignity of their children, and who cannot read or write? Who knows best - the one in “power” and has the time to take a vacation, or the one in need who looks to their grown-up child and grandchild, and sees only loss, and further loss?